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McCord: Political and Social Essays: "A literary legacy forgotten until recently, McCord's work should be assured with this exemplary volume -- and with a McCord, and this one is as comprehensive as Miss Louisa's most devoted admirers could hope for". She broke the confines of southern gender roles through her outspoken conservative writings on subjects such as political economy, abolitionism, and the role of women in southern society.

In Louisa S. This monument was unveiled in Columbia in , the year that Mrs. McCord died. Timely Abbeville Instritute articles and news delivered directly to your inbox.

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Skip to content Toggle navigation. Thank you for your support! Books Is Davis a Traitor? Albert Taylor Bledsoe, author, Brion McClanahan and Mike Church, editors Published a year after the war, it provides the best argument every assembled in one book for the constitutional right of secession.

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Everyone interested in the overall design of the Constitution ratified by the several States in should read this book. Defending Dixie: Essays in Southern History and Culture Clyde Wilson A Collection of insightful essays on how Southerners think of themselves in the light of how they are perceived by outside cultural elites. The Enduring Relevance of Robert E. The Founding Fathers Guide to the Constitution Brion McClanahan An article by article and clause by clause analysis of the Constitution ratified by the founding generation of and , a Constitution quite different from what the political class in Washington understands.

Nullification: How to Resist Federal Tyranny in the 21st Century Thomas Woods A readable, comprehensive treatment of the constitutionality of State interposition and nullification. Should be in the hands of every State legislator. Nullification: A Constitutional History, Kirk Wood. Nullification, A Constitutional History, And he explains how and why republicanism has been suppressed. Rethinking the American Union for the 21st Century Donald Livingston Essays raising the question of whether the United States has become simply too large for self-government and should be divided into a number of Unions of States as Jefferson thought it should.

The book is signed by Livingston who wrote the "Introduction" and contributed an essay. Classically educated, deeply religious, and preparing for a career in medicine when his country was invaded, he reluctantly became a fierce warrior. He was wounded several times fighting from the very beginning to the end, in 71 battles. Smith Smith shows how Evangelical revivalism in the colonial South Carolina low country had origins in Roman Catholic mysticism, Huguenot Calvinists and German pietism. This disposition, usually identified only with Evangelicals, touched even high Anglicans and Catholics making possible a bond of low country patriotism in the Revolutionary era.

Literary Non-Fiction

The fiddler is a figure of the traditionalist southern-agrarian artist. Is there such a thing as a distinctive Jewish literature? While definitions have been offered, none has been universally accepted. Topics range from the poetry of the Israeli nationalist Natan Alterman to the Russian poet Osip Mandelstam; from turn-of-the-century Ottoman Jewish journalism to wire-recorded Holocaust testimonies; from the intellectual salons of late eighteenth-century Berlin to the shelves of a Jewish bookstore in twentieth-century Los Angeles.

The literary world described in Modern Jewish Literatures is demarcated chronologically by the Enlightenment, the Haskalah, and the French Revolution, on one end, and the fiftieth anniversary of the State of Israel on the other. The particular terms of the encounter between a Jewish past and present for modern Jews has varied greatly, by continent, country, or village, by language, and by social standing, among other things. What unites the subjects of these studies is not a common ethnic, religious, or cultural history but rather a shared endeavor to use literary production and writing in general as the laboratory in which to explore and represent Jewish experience in the modern world.

This book explores the conceptual potential of the disabled utterance in the English literary Renaissance. For David Cowart, Thomas Pynchon's most profound teachings are about history- history as myth, as rhetorical construct, as false consciousness, as prologue, as mirror, and as seedbed of national and literary identities. In one encyclopedic novel after another, Pynchon has reconceptualized historical periods that he sees as culturally definitive.

This book offers a deft analysis of the problems of history as engaged by our greatest living novelist and argues for the continuity of Pynchon's historical vision.

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Technology, Literature and Culture provides a detailed and accessible exploration of the ways in which literature across the twentieth century has represented the inescapable presence and progress of technology. As this study argues, from the Fordist revolution in manufacturing to computers and the internet, technology has reconfigured our relationship to ourselves, each other, and to the tools and material we use.

The book considers such key topics as the legacy of late-nineteenth century technology, the literary engagement with cinema and radio, the place of typewriters and computers in formal and thematic literary innovations, the representations of technology in spy fiction and the figures of the robot and the cyborg. It considers the importance of broadcast technology and the internet in literature and covers major literary movements including modernism, cold war writing, postmodernism and the emergence of new textualities at the end of the century.

It is an invaluable resource for students and scholars alike in literary and cultural studies, and also introduces the topic to a general reader interested in the role of technology in the twentieth century.

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This study examines how postcolonial landscapes and environmental issues are represented in fiction. Wright creates a provocative discourse in which the fields of postcolonial theory and ecocriticism are brought together. Laura Wright explores the changes brought by colonialism and globalization as depicted in an array of international works of fiction in four thematically arranged chapters.

Wright then uses J. Throughout Wilderness into Civilized Shapes, Wright rearticulates questions about the role of the writer of fiction as environmental activist and spokesperson, the connections between animal ethics and environmental responsibility, and the potential perpetuation of a neocolonial framework founded on western commodification and resource-based imperialism. This study delves into the syntagmatic composition of the medieval epic the Cantar de Mio Cid. The detailed structural analysis of the Cantar de Mio Cid reveals that it consists of nineteen tales and that the functions contained in each of those nineteen tales almost invariably succeed one another in the same diachronic order as those prescribed by Vladimir Propp in his Morphology of the Folktale, relations that, to date, have escaped the attention of both Spanish medieval scholars and literary critics alike.

The importance of the above finding is that the present morphological analysis of the Cantar de Mio Cid firmly links the structure of the Spanish epic to that of the structure of the folktale.

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Download PDF LOUISA S. MCORD - Early 19th Century American Female Poet. (American Female Poets)

The implication of the latter point is both clear and significant in that it ties the structure of the Cantar de Mio Cid to that of the fairytales studied by Propp in his Morphology and reveals that the two are intimately related to each other by the fact that they are rooted in the folk fable. The latter phenomenon leads to the following original finding of this book, namely, that not only the Cantar de Mio Cid but possible all folk epic diageses constitute extended fairy tales. South—literature written by the descendants of tribes who evaded Removal and have maintained ties with their southeastern homelands.

In so doing Taylor advances a provocative, even counterintuitive claim: that the U. South and its Native American survivors have far more in common than mere geographical proximity. Both cultures have long been haunted by separate histories of loss and nostalgia, Taylor contends, and the moments when those experiences converge in explicit and startling ways have yet to be investigated by scholars. These convergences often bear the scars of protracted colonial antagonism, appropriation, and segregation, and they share preoccupations with land, sovereignty, tradition, dispossession, subjugation, purity, and violence.

Taylor poses difficult questions in this work. In the aftermath of Removal and colonial devastation, what remains—for Native and non-Native southerners—to be recovered? Is a deep sense of hybridity and intercultural affiliation the only coherent way forward, both for the New South and for its oldest inhabitants?

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And in these newly entangled, postcolonial environments, has global capitalism emerged as the new enemy for the twenty-first century? Reconstructing the Native South is a compellingly original work that contributes to conversations in Native American, southern, and transnational American studies. Louisa S. Mccord By Louisa S. The Victorian Literature and Culture Series.

McCord By Louisa S. The March of the Ten Thousand is one of the most famous military adventures in the ancient world. Xenophon's history of the Long March, or 'Anabasis,' became a classic of Greek literature. The New Yiddish library series. When 'Everyday Jews' was first published in Poland in , the Jewish Left was scandalized by the sex scenes, and Isaac Bashevis Singer complained that this bleak novel lacked psychological credibility. Yet within two years Perle's novel was heralded as a modern Yiddish masterpiece. For American revolutionaries, governments were works of art framed from natural rights.

Since states were inherently artificial, early American politicians believed the culture of a people must be consulted when determining what form of government is best for them. Part of the Climate convincingly redefines American modernist poetry in light of developments in modern painting, particularly cubism. The traditional separation of the verbal and visual arts is cast aside here, as Brogan encourages a re-evaluation of "modernism" itself.

Moreover, readers of modern poetry and literature will find this critical work doubly useful, since the author places the poetry of well-known modernists such as Pound, Eliot, and Williams alongside the harder-to-find work of important experimentalists such as Mina Loy, Louis Zukofsky, Gertrude Stein, and George Oppen.

Literary Non-Fiction | Strand Books

Jacqueline Vaught Brogan has assembled this much needed collection of experimental verse from the interwar years by going to the small magazines through which the poems reached their public. She not only shows how significantly many of these American poets of the early twentieth century were influenced by the aesthetic development of cubism in the visual arts but also argues that the cubist aesthetic, at least as it translated into the verbal domain, invariably involved political and ethical issues. The most important of these concerns was to extend the aesthetic revolution of cubism into a genuine "revolution of the word.

With this history of the cubist movement in American verse, she raises serious questions about the politics of canonization and asks us to consider the ethical responsibility of interpretation, both in the creative arts and in critical texts. Virtually unknown outside of her adopted hometown of Cleveland, Ohio, Jane Edna Hunter was one of the most influential African American social activists of the early-to-mid-twentieth century. In her autobiography A Nickel and a Prayer, Hunter presents an enlightening two-part narrative that recollects her formative years in the post-Civil War South and her activist years in Cleveland.